Hallelujas CD

I recently completed a project for the Cantamus Corde Choir in Pretoria, South Africa. It is my first project "Glass mastered" and pressed (opposed to mass burning). The whole project was done in 64studio using GPL'ed software from recording to the final master. The only Microsoft product in my studio is a mouse (I say, let them stick to what they do best... hardware!)

The recordings were done in three sessions of 3 hours, in a small Catholic chapel in Pretoria, and spliced together, mixed and mastered in ardour using all the tools available in 64studio 2.1(pre 7 to 11), including the Ladspa plug ins, Jamin, GnomeCDmaster, etc.

I used four of my home made omnidirectional mics to do the recording, into a Behringer DDX3216 digi mixer, out via an ADAT port into a RME Hammerfall digi9632. I record 24bit, 44100, all channels raw, to give me the opportunity to work with the material "as it was" when I start to cut and mix. I use the DDX3216 as a control surface for ardour, making my work flow quite fluent at the moment, especially while doing the mastering in Jamin, and still controlling Ardour via the desk.

Because this was a commercial project, I can only post a snippet of the recording here:
As Vrede my Pad

For more info about the recording or the choir, see my web page:
www.harleystudio.co.za

Cheers,
Quentin

Sounds good! My

Sounds good! My compliments... As vrede my pad mmmhh

wow!

that sounds really really really good!

beautiful

start to the week Quentin,
Keep up the good work.

Thanks,
dave

really beautiful

(A Google search on "Hallelujas CD" gave me the Harley Studio web site with very interesting stuff.)
Congratulations for the beautiful recording and post production!

( Looking for the name of the author of "As Vrede my Pad". )

Author:

The arrangements of the choral works was done by Niel van der Watt. He is a local composer, mostly for choirs and smaller instrumental ensembles. The music itself has been written quite a long time ago, and was used afterwards in a (controversial) book of hymns. It was very popular, because of the catchy tunes, but was shunned by the church fathers in South-Africa for that same reason...

The collection is now part of South-African cultural heritage, and the album was made to remind people of the songs that almost disappeared.

For more info on the album, contact the choir: email - cantamus at mweb.co.za